︎ email me at katefranceslingard@gmail.com
︎ keep research/thoughts here
INDEX
For starters
A critical coding club for beginners who want to learn about the basics of creative code together
Join here or email
fran3slingard@gmail.com to join the mailing list
The sessions are currently happening IRL at the CCA, Glasgow.
A critical coding club for beginners who want to learn about the basics of creative code together
Join here or email
fran3slingard@gmail.com to join the mailing list
The sessions are currently happening IRL at the CCA, Glasgow.
2022
Questions of Scale
Game testing @ Hospitalfields Residency
Inspired/ some mechanics borrowed from Microscope by Ben Robbins with use of collections at Hospitalfields
More pictures here
Game testing @ Hospitalfields Residency
Inspired/ some mechanics borrowed from Microscope by Ben Robbins with use of collections at Hospitalfields
More pictures here
2022
Our Data
our data is a prototype for an incremental clicker game that leads to libraries of resources about data resistance, rights and power. The game looks into the idea of bringing data closer to the body in order to understand the implications on the way we navigate the world..
It draws heavily from the book ‘Data Power; Radical Geographies of Control and Resistance’ (Dalton and Thatcher) and you can find development notes here.
Game link here:
https://kfrancesling.itch.io/our-data
our data is a prototype for an incremental clicker game that leads to libraries of resources about data resistance, rights and power. The game looks into the idea of bringing data closer to the body in order to understand the implications on the way we navigate the world..
It draws heavily from the book ‘Data Power; Radical Geographies of Control and Resistance’ (Dalton and Thatcher) and you can find development notes here.
Game link here:
https://kfrancesling.itch.io/our-data
2022
Toolkits for Counterparts online exhibition
Curated by April Lin 林森 and Mac Andre Arboleda
Disinformation, disability justice, and the logics of code, anatomy, and infrastructures are only some of the themes presented by UK-based Yifan He, Kate Frances Lingard, and nil00, and Filipinos Mirjam Dalire, Paolo Lorenzo, and cj silva aka frameweaver.
www.toolkits-for-counterparts.xyz/
Curated by April Lin 林森 and Mac Andre Arboleda
Disinformation, disability justice, and the logics of code, anatomy, and infrastructures are only some of the themes presented by UK-based Yifan He, Kate Frances Lingard, and nil00, and Filipinos Mirjam Dalire, Paolo Lorenzo, and cj silva aka frameweaver.
www.toolkits-for-counterparts.xyz/
2022
3 animations showed in the window Remade Network, Glasgow looking at cycles of repair
As part of the ‘everything must go’ project
As part of the ‘everything must go’ project
2021
There where some films that I showed on little tablets that used conversations around the game as a starting point
they should be able to be watched here soon, there is one up currently titled ‘trust’
they should be able to be watched here soon, there is one up currently titled ‘trust’
2021
‘tender spots in hard code...’
cards and links
I can send over instruction videos and manuals if anyone is interested
cards and links
I can send over instruction videos and manuals if anyone is interested
2021
I had a chat with the wonderful Jazmin Morris and Alice Yuan Zhang which was facilitated by Rebecca Edwards
link
link
2021
‘tender spots in hard code...’
Project with arebyte Gallery
Involving a set of cards and quite a lot of tiny films I got carried away with which I will hopefully upload one day
The back of the cards are co-dsigned with Emelia Kerr Beale
The show had games made by :
Leo Robinson
Ben Hall
Rebecca Gill
It involved a text written by Colm Guo-Lin Peare which you can find here
It also had mousemats made by Ismay Bright
and the seating for the show made by Billie Angel
and Anna Vlassova helped build the wooden computers
Finn Rabbit Dove helped film the main 3 channel work involved
You can watch that film here
the show also had models made by Siri Black, Ariel Helyes, Jake Major and India Stanbra.
Find out more here
Project with arebyte Gallery
Involving a set of cards and quite a lot of tiny films I got carried away with which I will hopefully upload one day
The back of the cards are co-dsigned with Emelia Kerr Beale
The show had games made by :
Leo Robinson
Ben Hall
Rebecca Gill
It involved a text written by Colm Guo-Lin Peare which you can find here
It also had mousemats made by Ismay Bright
and the seating for the show made by Billie Angel
and Anna Vlassova helped build the wooden computers
Finn Rabbit Dove helped film the main 3 channel work involved
You can watch that film here
the show also had models made by Siri Black, Ariel Helyes, Jake Major and India Stanbra.
Find out more here
2021
‘sunrise/sunset/all the time’
work in..
Wretched Light Industry
Downloadable collaborative open world
Organised and built by Benjamin Hall and Jay Darlington via Serving the People
work in..
Wretched Light Industry
Downloadable collaborative open world
Organised and built by Benjamin Hall and Jay Darlington via Serving the People
2021
This conversation is a server
Organising in Digital space: from decentralisation to distribution.
chat/event hosted by Residency 11:11 with Rebecca Gill and Colm Guo-Lin Peare
A little glossary of terms
Organising in Digital space: from decentralisation to distribution.
chat/event hosted by Residency 11:11 with Rebecca Gill and Colm Guo-Lin Peare
A little glossary of terms
2020
2020
2019 - early 2020
2020 ongoing
Shared Desktop Installation
@ RSA, Edinburgh
Go to installation...
That picture is of a mousemat made by Ismay Bright for the show
@ RSA, Edinburgh
Go to installation...
That picture is of a mousemat made by Ismay Bright for the show
2020
2019
Mark
contact me for vimeo link if you want to watch
contact me for vimeo link if you want to watch
2019
I lost track of information ‘19
@ 4/4, Primary, Nottingham
With Rebecca Gill
@ 4/4, Primary, Nottingham
With Rebecca Gill
2019
I lost track of information ‘18
@ Tramway, Glasgow
With Rebecca Gill
@ Tramway, Glasgow
With Rebecca Gill
2018